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The internet and new gospel partnerships fueled church growth in the early 2000s, but bigger isn't always better.Mark Driscoll rose to prominence in the early days of the internet. Unlike his megapastor predecessors like Robert Schuller and Bill Hybels, Driscoll harnessed technology to build his brand and bypass cultural gatekeepers who might hinder or influence his success. He formed a talented media team to expand his reach and, inadvertently, reinforce his ego through an online presence. Quickly though, his star rose too far, keeping him at arm’s length from the collaboration and counsel of those who could lend wisdom to his youthful, combustive pastoral ministry.In this episode of The Rise and Fall of Mars Hill, host Mike Cosper breaks down how technology shaped the messaging and marketing of Mark Driscoll and how personal brand can isolate a leader even as it fuels a ministry’s growth. Cosper interviews broadly, from Mars Hill media team members to Collin Hansen of The Gospel Coalition, to investigate how narcissism grows, how theological movements birth new leaders, and why the church’s love affair with charisma and certainty demands we develop a better moral imagination. Rethink your admiration for celebrity pastors. Reevaluate your attraction to religious trends. And, reflect on your own willingness to stand “sola” when church becomes about something other than the Gospel.“The Rise and Fall of Mars Hill” is a production of Christianity Today Executive Producer: Erik PetrikProduced, written, edited, and hosted by: Mike CosperAssociate produced by Joy Beth Smith Music, sound design, and mixing: Kate SiefkerGraphic Design: Bryan ToddSocial Media: Nicole ShanksEditorial consulting: Andrea Palpant Dilley, Online Managing EditorChristianity Today Editor in Chief: Timothy DalrympleTheme song: ...Continue reading...
More Christian music programs are accommodating students who want to play sanctuaries rather than concert halls.For college students preparing for music ministry, new and evolving programs offer more options than ever.Christian colleges, like institutions across higher ed, feel increasing pressure to offer specialty training for lucrative fields like business and science, sometimes with humanities programs taking cuts. At the same time, several major music programs are growing—in part out of a confidence that the student demand and job market is there. The church will always need writers, performers, leaders, and creators.“We feel obligated to develop these resources,” said Michael Wilder, dean of the Conservatory of Music and Division of Arts and Communication at Wheaton College. “I think there’s a need for it, and there’s interest for sure.”While most institutions have preserved their bachelor of arts in music or bachelor of music degrees as traditional routes for performance-oriented students, many students enrolling in those programs are also interested in worship leadership training. They may enter college with a calling to lead but without the same skills as those aspiring to become professional musicians.When the conservatory introduced its worship arts certificate program in 2019 (a credential that can be added to another undergraduate major), faculty saw immediate interest from the students, many of whom were already participating in worship leadership in local churches or the school’s chapel programs.Cedarville University, within its School of Music and Worship, offers separate degree tracks for “music” and “worship” students. Similarly, Colorado Christian University (CCU) has preserved its distinct majors in performance, education, composition, and ...Continue reading...
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