Welcome to the Biblical Hebrew (Self-Taught) Study Group. For those who want to learn Biblical Hebrew for the sake of knowledge without college tuition. "Study to shew yourselves approved unto God...”
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Organization Dissolved
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Old Time Baptist Page
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Jacksonville Florida (FL)
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Ethan Hawke has made a movie as scandalous as one of the writer's short stories.Why not write something that “a lot, a lot, of people like?” Regina O’Connor asks her daughter, the writer Flannery O’Connor, in the middle of the new biopic Wildcat. The same question might be put to the film itself. It’s not a movie that a lot of people will like. But unlike the author’s mother, I mean that as a high compliment. Director and screenwriter Ethan Hawke has made a film worthy of Flannery O’Connor’s genius.An epigraph from O’Connor’s essay “The Nature and Aim of Fiction” sums up what Wildcat sets out to do: “I’m always irritated by people who imply writing fiction is an escape from reality. It is a plunge into reality.” Fittingly, rather than depict the writer’s life from birth to death, Wildcat uses her fiction to discover what’s real, to “get down under things” to the problem of suffering, the limitations of human experience, the desire for goodness, the habits of evil, and, always present, the longing for God.The result is a movie as scandalous as one of O’Connor’s short stories—“shocking to the system,” to borrow her words. Her devotees will applaud it; most of the audience will be left wondering what just clobbered them.After that opening epigraph, Wildcat rolls a fake trailer for a 1950s-style horror flick inspired by O’Connor’s story “The Comforts of Home.” (A mother brings home a wayward, orphaned teen who tries to seduce her grown son. The son attempts to kill the teen, but shoots his own mother instead.) The trailer, starring Laura Linney and Maya Hawke—who also play the roles of Regina and Flannery— sets up expectations ...Continue reading...
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‘I was pro-Israel in 1981, and I’m not less pro-Israel now,’ says acclaimed novelist.
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In Reversing Entropy, the 95-year-old poet looks lovingly at creation.Luci Shaw is a legend in Christian literary circles. Her many volumes of poetry—named for rivers and clay, the color green, the glint of seaglass—speak to the beauty of creation and the generosity of the Creator. She has written on faith and art, the Christian imagination, and prayer, including a few books co-authored with her friend, Madeleine L’Engle. Shaw is also a beloved teacher, serving as longtime writer-in-residence at Regent College.Speaking with the poet about her latest collection Reversing Entropy (out this spring from Paraclete Press), I understood how she has served as an inspiration for generations of students and readers. She’s gentle, curious, and wise. Her way of seeing the world is wondrous—everything from lichens, to a shivering little lake, to “jewel dew” in the grass, is significant. All the world inspires praise.Reversing Entropy doesn’t just look around; it looks ahead. Luci Shaw is 95 years old, and this collection is understandably full of endings. Leaves fall; ripe apricots drop from a tree; her brother passes away. There is “the inevitable decay / the leaving and the dying.”But there’s also hope. From the collection’s final entry, a long, tumbling prose poem that Shaw says “poured out” of her “like a gift”:Give praise, now, to our God, the Quickener, the One who stirs us into such new life that we, and all creation, may wake to the sound of a fresh music, and start to sing again the songs of love, and longing, and refreshment. …Come Springtime, that most beneficent of seasons, all, everything, every thing, will be thawing, rising, joyful, laughing, tuning up for the evermore, and in every green ...Continue reading...
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By Kim Iversen Whitney Webb has been a professional writer, researcher and journalist since 2016. She has written for several websites and, from 2017 to...The Border Crisis is Being Used to Push Digital ID — Whitney Webb Interview
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But true liberty, in art and in life, is created by constraints.Taylor Swift answers to no one.Not music industry executives: Her songs returned to TikTok in the middle of a licensing dispute between the app and her label.Not mayors: When she graced their cities during her Eras tour, they declared days in her honor.Not the international community: A Singapore-exclusive stop in Southeast Asia sparked a row between the city-state and nearby Thailand and the Philippines. The Japanese embassy issued a statement about her Super Bowl travel plans.And Swift doesn’t plan on stopping anytime soon. She announced new music within minutes of winning her latest Grammy for album of the year.You might take all this as proof of Swift’s business genius, nothing personal. But in her latest album, The Tortured Poets Department, there’s definitely an “above it all” attitude. These songs are snarly. America’s sweetheart may have nothing left to prove. But she certainly has scores left to settle.Swift is hardly a stranger to revenge. This is the songwriter, after all, who brought us lyrics like “It’s obvious that wanting me dead / Has really brought you two together.”But TTPD broadens her aggression and scorns the prospect of reconciliation. A small-town girl takes on her community over a controversial love affair and trolls her parents with a joke pregnancy announcement. A depressed performer boasts sardonically about how well she can sell happiness to frenzied fans. A woman seethes at being seen as a problematic starlet by her new boyfriend’s circle.There’s a track suspiciously similar to an Olivia Rodrigo song (the two singers have a rumored feud). The title of another appears to name-drop Kim Kardashian, an older nemesis.Critics agree that ...Continue reading...
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