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Dedicated to the study of Scripture, the ancient church fathers, Dead Sea Scrolls, and other ancient documents.
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Msg #2401 Being One With Christology What The Bible Says - Good Samaritan's Penny Pulpit by Pastor Ed Rice
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Discrimination case claims that noncommercial religious broadcasters are paying far more than fellow stations to cover royalties for music played online.The website for 99.1 JOY FM in St. Louis features a scrolling playlist of its lineup of Christian pop music and a “listen now” button to tune in to the simulcast broadcast. But visitors may find that after a few hours of streaming artists like Lauren Daigle and Brandon Lake, the site may kick them off.Because of higher royalty costs, many noncommercial religious broadcasters are choosing to either limit the number of online listeners they allow at a time or simply not promote their online platforms at all. A new lawsuit from some of these broadcasters, including many Christian stations, claims that their royalty rate, which exceeds what other stations pay, is effectively a form of religious discrimination.“The government is charging religious broadcasters a significantly higher rate,” said Rory Gray, with the Alliance Defending Freedom (ADF). “It suppresses religious speech in the public sphere.”Noncommercial radio stations—which rely on listener support and grant funding rather than ad sales—have traditionally been able to negotiate lower royalty rates for the music they play. But religious broadcasters, like JOY FM’s owner, Gateway Creative Broadcasting, lost out on that deal during negotiations in 2016 with SoundExchange, the rights management company that distributes royalties to artists.Then streaming costs for religious radio increased in 2021, following a ruling from the US Copyright Royalty Board (CRB), and Christian stations were subject to the standard rates. A suit filed in February against the board claims that due to the discrepancy in rates set by the CRB and privately negotiated rates, noncommercial religious broadcasters are forced to restrict their streams ...Continue reading...
Discrimination case claims that noncommercial religious broadcasters are paying far more than fellow stations to cover royalties for music played online.The website for 99.1 JOY FM in St. Louis features a scrolling playlist of its lineup of Christian pop music and a “listen now” button to tune in to the simulcast broadcast. But visitors may find that after a few hours of streaming artists like Lauren Daigle and Brandon Lake, the site may kick them off.Because of higher royalty costs, many noncommercial religious broadcasters are choosing to either limit the number of online listeners they allow at a time or simply not promote their online platforms at all. A new lawsuit from some of these broadcasters, including many Christian stations, claims that their royalty rate, which exceeds what other stations pay, is effectively a form of religious discrimination.“The government is charging religious broadcasters a significantly higher rate,” said Rory Gray, with the Alliance Defending Freedom (ADF). “It suppresses religious speech in the public sphere.”Noncommercial radio stations—which rely on listener support and grant funding rather than ad sales—have traditionally been able to negotiate lower royalty rates for the music they play. But religious broadcasters, like JOY FM’s owner, Gateway Creative Broadcasting, lost out on that deal during negotiations in 2016 with SoundExchange, the rights management company that distributes royalties to artists.Then streaming costs for religious radio increased in 2021, following a ruling from the US Copyright Royalty Board (CRB), and Christian stations were subject to the standard rates. A suit filed in February against the board claims that due to the discrepancy in rates set by the CRB and privately negotiated rates, noncommercial religious broadcasters are forced to restrict their streams ...Continue reading...
An ancient codex, containing perhaps the earliest complete versions of Jonah and 1 Peter, goes up for auction in June. Will it disappear?One of the oldest books in existence, which contains what is perhaps the oldest complete versions of Jonah and 1 Peter, is going up for auction in June. The sale of the Crosby-Schøyen Codex has scholars excited to talk about its uniqueness—and nervous about whether it could go into private hands and disappear.The Crosby-Schøyen Codex is a primary example of the invention of books, which coincided with the spread of Christianity, said Eugenio Donadoni, a specialist in books and manuscripts at Christie’s London, which is auctioning the codex. The growth of Christianity spurred the need to “maximize the text you can write down and transmit … around the Mediterranean,” Donadoni said.Before codices appeared in roughly the third century, scrolls “for several thousand years were the primary vehicle for transmitting literature,” said Brent Nongbri, an expert in early Christian manuscripts and a professor at the Norwegian School of Theology.Codices were a technological advancement that “that wouldn’t be surpassed until the discovery of the printing press,” Donadoni added. Donadoni just finished touring the codex for potential buyers in New York and Paris before returning it to London, where it will be auctioned on June 11. About the codex he said, “I’ve never seen anything like this.”A single scribe wrote out the texts of the codex on papyrus leaves in Sahidic Coptic somewhere between A.D. 250 and 350, according to carbon dating of the codex conducted in 2020. That means it’s likely the text was written before the late-fourth-century councils, when the canon of Scripture began to be established.“This is being used at a time when ...Continue reading...
The Hebrew text on the Torah scroll is one of the preserved texts by rabbis and scholars who understood the value of God's Word in its original language.
University of Kentucky computer scientists used AI technology? to read an ancient script that was burned when Mount Vesuvius erupted in 79 AD.
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