Lifemark? entered Netflix's global Top 10 even though it's not on Netflix platforms in the United States. In that country, it's streaming on Great American Pure Flix, although it can be rented or purchased on other VOD platforms.

The popular series about Jesus is now available in 50 languages with plans for 550 more.The film was familiar but the language was new for Come and See CEO Stan Jantz.As he sat in a theater in Warsaw, he looked around the room and saw people laughing and crying in the same places he had laughed and cried when he watched The Chosen, the popular streaming series that tells the story of Jesus through the eyes of the disciples. That was the moment of truth for Jantz. The real test for a translation—going beyond accuracy alone—is whether it connects with human hearts.“Translation also has to be beautiful,” Jantz told CT. “It’s an art as much as it is a science.”Come and See has dubbed or subtitled The Chosen into 50 languages so far. The group has plans to do the same for 550 more languages.No TV show has ever been translated into that many languages. Few shows are dubbed more than a handful of times, even in an era where viewership of translated programs has dramatically increased, thanks to streaming services’ global business plans. Netflix can dub shows into about three dozen languages but mostly works in French, German, Polish, Italian, Turkish, Castilian Spanish, Latin American Spanish, and Brazilian Portuguese. Some very popular shows are remade in another language, like Suits, which has Japanese, Korean, and Mongolian versions.Baywatch, starring David Hasselhoff and Pamela Anderson, has been translated 34 times. That was the record, until Come and See started turning out dubbed versions of The Chosen. There’s not a lot of profit in dubbing, so for-profit efforts will only go so far. A nonprofit like Come and See can do more.The group wants to reach 1 billion people with the show, so The Chosen can connect people to Jesus and bring them to faith. Come and ...Continue reading...

The popular series about Jesus is now available in 50 languages with plans for 550 more.The film was familiar but the language was new for Come and See CEO Stan Jantz.As he sat in a theater in Warsaw, he looked around the room and saw people laughing and crying in the same places he had laughed and cried when he watched The Chosen, the popular streaming series that tells the story of Jesus through the eyes of the disciples. That was the moment of truth for Jantz. The real test for a translation—going beyond accuracy alone—is whether it connects with human hearts.“Translation also has to be beautiful,” Jantz told CT. “It’s an art as much as it is a science.”Come and See has dubbed or subtitled The Chosen into 50 languages so far. The group has plans to do the same for 550 more languages.No TV show has ever been translated into that many languages. Few shows are dubbed more than a handful of times, even in an era where viewership of translated programs has dramatically increased, thanks to streaming services’ global business plans. Netflix can dub shows into about three dozen languages but mostly works in French, German, Polish, Italian, Turkish, Castilian Spanish, Latin American Spanish, and Brazilian Portuguese. Some very popular shows are remade in another language, like Suits, which has Japanese, Korean, and Mongolian versions.Baywatch, starring David Hasselhoff and Pamela Anderson, has been translated 34 times. That was the record, until Come and See started turning out dubbed versions of The Chosen. There’s not a lot of profit in dubbing, so for-profit efforts will only go so far. A nonprofit like Come and See can do more.The group wants to reach 1 billion people with the show, so The Chosen can connect people to Jesus and bring them to faith. Come and ...Continue reading...

The popular series about Jesus is now available in 50 languages with plans for 550 more.The film was familiar but the language was new for Come and See CEO Stan Jantz.As he sat in a theater in Warsaw, he looked around the room and saw people laughing and crying in the same places he had laughed and cried when he watched The Chosen, the popular streaming series that tells the story of Jesus through the eyes of the disciples. That was the moment of truth for Jantz. The real test for a translation—going beyond accuracy alone—is whether it connects with human hearts.“Translation also has to be beautiful,” Jantz told CT. “It’s an art as much as it is a science.”Come and See has dubbed or subtitled The Chosen into 50 languages so far. The group has plans to do the same for 550 more languages.No TV show has ever been translated into that many languages. Few shows are dubbed more than a handful of times, even in an era where viewership of translated programs has dramatically increased, thanks to streaming services’ global business plans. Netflix can dub shows into about three dozen languages but mostly works in French, German, Polish, Italian, Turkish, Castilian Spanish, Latin American Spanish, and Brazilian Portuguese. Some very popular shows are remade in another language, like Suits, which has Japanese, Korean, and Mongolian versions.Baywatch, starring David Hasselhoff and Pamela Anderson, has been translated 34 times. That was the record, until Come and See started turning out dubbed versions of The Chosen. There’s not a lot of profit in dubbing, so for-profit efforts will only go so far. A nonprofit like Come and See can do more.The group wants to reach 1 billion people with the show, so The Chosen can connect people to Jesus and bring them to faith. Come and ...Continue reading...

Discrimination case claims that noncommercial religious broadcasters are paying far more than fellow stations to cover royalties for music played online.The website for 99.1 JOY FM in St. Louis features a scrolling playlist of its lineup of Christian pop music and a “listen now” button to tune in to the simulcast broadcast. But visitors may find that after a few hours of streaming artists like Lauren Daigle and Brandon Lake, the site may kick them off.Because of higher royalty costs, many noncommercial religious broadcasters are choosing to either limit the number of online listeners they allow at a time or simply not promote their online platforms at all. A new lawsuit from some of these broadcasters, including many Christian stations, claims that their royalty rate, which exceeds what other stations pay, is effectively a form of religious discrimination.“The government is charging religious broadcasters a significantly higher rate,” said Rory Gray, with the Alliance Defending Freedom (ADF). “It suppresses religious speech in the public sphere.”Noncommercial radio stations—which rely on listener support and grant funding rather than ad sales—have traditionally been able to negotiate lower royalty rates for the music they play. But religious broadcasters, like JOY FM’s owner, Gateway Creative Broadcasting, lost out on that deal during negotiations in 2016 with SoundExchange, the rights management company that distributes royalties to artists.Then streaming costs for religious radio increased in 2021, following a ruling from the US Copyright Royalty Board (CRB), and Christian stations were subject to the standard rates. A suit filed in February against the board claims that due to the discrepancy in rates set by the CRB and privately negotiated rates, noncommercial religious broadcasters are forced to restrict their streams ...Continue reading...

The popular show "The Chosen" is now available to stream on several widely used platforms, including Disney+.?

Lifemark? entered Netflix's global Top 10 even though it's not on Netflix platforms in the United States. In that country, it's streaming on Great American Pure Flix, although it can be rented or purchased on other VOD platforms.

Discrimination case claims that noncommercial religious broadcasters are paying far more than fellow stations to cover royalties for music played online.The website for 99.1 JOY FM in St. Louis features a scrolling playlist of its lineup of Christian pop music and a “listen now” button to tune in to the simulcast broadcast. But visitors may find that after a few hours of streaming artists like Lauren Daigle and Brandon Lake, the site may kick them off.Because of higher royalty costs, many noncommercial religious broadcasters are choosing to either limit the number of online listeners they allow at a time or simply not promote their online platforms at all. A new lawsuit from some of these broadcasters, including many Christian stations, claims that their royalty rate, which exceeds what other stations pay, is effectively a form of religious discrimination.“The government is charging religious broadcasters a significantly higher rate,” said Rory Gray, with the Alliance Defending Freedom (ADF). “It suppresses religious speech in the public sphere.”Noncommercial radio stations—which rely on listener support and grant funding rather than ad sales—have traditionally been able to negotiate lower royalty rates for the music they play. But religious broadcasters, like JOY FM’s owner, Gateway Creative Broadcasting, lost out on that deal during negotiations in 2016 with SoundExchange, the rights management company that distributes royalties to artists.Then streaming costs for religious radio increased in 2021, following a ruling from the US Copyright Royalty Board (CRB), and Christian stations were subject to the standard rates. A suit filed in February against the board claims that due to the discrepancy in rates set by the CRB and privately negotiated rates, noncommercial religious broadcasters are forced to restrict their streams ...Continue reading...

According to the 2024 State of the Church Technology report from Pushpay, 91% of all churches are livestreaming their worship services. 90% are going further and employing a hybrid model of ministry which combines both in-person and virtual elements.

WASHINGTON, D.C. - Family Research Council (FRC) president Tony Perkins sat down for an interview Wednesday with the new Speaker of the U.S. House of Representatives Mike Johnson (R-La.). The interview aired this afternoon on FRC's nationally syndicated program, Washington Watch with Tony Perkins, which broadcasts every weekday on DIRECTV, nearly 100 Christian TV stations, various streaming channels, and more than 800 radio stations across the country....

The uproar amongst Christian Evalgeliests continues after Andy Stanley's sermon.