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Editorial Bautista Independiente (EBI) is the Spanish literature division of Baptist Mid-Missions.
We seek to be a blessing to local churches and make these Bibles available at the cost of production. It is our goal to meet the Bible needs of local churches around the world.
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The Evidence of Things Hoped for Thank you for joining the Bethel Baptist Church for our theatrical production, 'The Evidence of Things Hoped for.'
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I grew up as a climate change denier. Now I understand we must care for God's creation and people alike.I grew up believing that Earth Day was a liberal holiday. Climate change was a lie, a ploy by leftist political activists to dismantle US economic superiority by undermining domestic energy production and crippling our industries. Humans had a God-given right to have “dominion” (Gen. 1:26) over the earth, I was taught. The natural world was ours to “steward” (Gen. 2:15), which to us meant it could be used as desired to improve the lives of industrious, hard-working families like ours.Everywhere I turned, I saw this definition of stewardship in action. It was well-intended but, I now think, ill-considered. My home then was the Texas Panhandle, atop the Ogallala Aquifer. The Ogallala is the largest aquifer in the nation, but after decades of High Plains farmers tapping it with abandon, it’s drying up.These days, I live five hours south of my hometown atop another major geological formation: the Permian Basin, the nation’s most productive oil field and the heart of the US oil and gas industry. Thirteen years ago, I cried when we moved to Midland, Texas, for my husband’s new job with a natural gas company, not wanting my family to be part of an industry I’d come to believe was destroying the earth. Needless to say, by then, I no longer believed climate change was a lie.I’d spent nearly four years in a small village outside of Beijing where the drainage creek bubbled with dangerously toxic sludge; we’d go days without seeing the sun through the industrial haze; and blowing my nose in the winter would leave me with a tissue blackened with coal dust. I didn’t have to be a climate scientist to conclude that there would be consequences for ...Continue reading...
By Robert Malone In Another Blow to Decentralized Natural Meat Production, EPA Rule Indirectly Shuts Down Small Meat Producers via Clean Water Act Overreach Americans...EPA Threatens Locally Produced Beef
By Robert Malone In Another Blow to Decentralized Natural Meat Production, EPA Rule Indirectly Shuts Down Small Meat Producers via Clean Water Act Overreach Americans...EPA Threatens Locally Produced Beef
The new dystopian thriller reminds viewers it's not just what we witness that matters, but how.There’s nothing more frightening than the sound of a camera shutter in the new film Civil War.Distributed by A24, the production company behind releases like Everything Everywhere All at Once and Past Lives, the movie depicts the remnants of a United States government battling the Western Forces, an alliance between Texas and California. If you’re looking for reasons—Why these factions? Why now?—you won’t find any answers. The film is frustratingly opaque on logistics, though we’re able to hypothesize based on a few offhand comments. (The unnamed president, played by Nick Offerman, is entering his third term and isn’t gun-shy about using air strikes against American citizens.) Even so, a California that cooperates with Texas seems far-fetched.For writer/director Alex Garland, our incredulity is the point. “I find it interesting that people would say, ‘These two states could never be together under any circumstances.’ Under any circumstances? Any? Are you sure?” he told The Atlantic. By asking us to accept his premise, Garland forces viewers to consider the ideological divisions we take for granted. Turns out, the why doesn’t matter all that much. Dystopia, no matter how it comes about, is still dystopia.What is clear, though, is that the war provides an opportunity for journalists, capitalized on by photojournalist Lee (Kirsten Dunst), her Reuters colleague Joel (Wagner Moura), and her mentor, New York Times reporter Sammy (Stephen McKinley Henderson). Their coverage of atrocities shapes our experience of this imagined future. Many of those chilling camera shutter sounds come from Lee, as she documents truly terrible scenes of domestic conflict with ...Continue reading...
A sex offender who worked as a production assistant for kids network Nickelodeon participated in Bible studies on set years before he was arrested, according to a new documentary series.
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